Dec. 22: Ethan Iverson Performs Music from Playfair Sonatas at Mezzrow
Clockwise: Pianist Ethan Iverson, Violinist Miranda Cuckson, Pianist Hiroko Sasaki, Trumpeter Tim Leopold
Ethan Iverson Performs Music from His Album
Playfair Sonatas at Mezzrow
Violin Sonata with Miranda Cuckson, violin
Trumpet Sonata with Tim Leopold, trumpet
Plus Sonata for Piano Four-Hands, with Hiroko Sasaki, piano
Playfair Sonatas is Available Now on Ulricht AudioVisual
Stream the Album
Sunday, December 22, 2024 at 4pm
Mezzrow | 163 West 10th Street | New York, NY
Free Admission
“a welcome stream of fully notated music by the jazz pianist and composer Ethan Iverson” – The New York Times
CDs and press downloads available upon request.
https://iverson.substack.com | www.urlicht-av.com
New York, NY – On Sunday, December 22, 2024 at 4pm, pianist, composer, and writer Ethan Iverson performs music from his recently released album Playfair Sonatas – Violin Sonata with violinist Miranda Cuckson and Trumpet Sonata with trumpeter Tim Leopold plus his Sonata for Piano Four-Hands with pianist Hiroko Sasaki – at Mezzrow (163 W 10th St). Admission is free. Located in Manhattan’s West Village, Mezzrow, is a cultured jazz club at which Iverson has performed on several different occasions, including a duo engagement with bassist Ron Carter during the club’s first month of operation.
Iverson’s Playfair Sonatas album was released on the Urlicht AudioVisual label on November 15. The recording features six sonatas composed by Iverson for six different instruments and piano, and recorded by Iverson with some of today’s most vibrant classical performers – Miranda Cuckson, violin; Makoto Nakura, marimba; Carol McGonnell, clarinet; Mike Lormand, trombone; Taimur Sullivan, saxophone; and Tim Leopold, trumpet. The album is bookended by a Fanfare and Recessional performed by the whole ensemble.
Playfair Sonatas was born in 2020 during the pandemic, when Iverson met curator, producer, and frequent commissioner of new work Piers Playfair for a summertime outdoor dinner. Like most musicians that year, Iverson had downsized and was concerned about making a baseline income. He had recently moved and rented a smaller, cheaper studio, and when Playfair asked if there was anything he could help with, Iverson replied, “Yeah, I’d love to cover the studio rent for a few months.” The two agreed that in exchange for six months of rent, Iverson would write six sonatas, and that Playfair would be allowed to choose the instrumentation.
Writing these Playfair Sonatas led Iverson to composing larger works, including his Piano Sonata, recently recorded as part of his album Technically Acceptable on the Blue Note label. Seth Colter Walls wrote of the piece in The New York Times, “Classical in conception... it also contains traces of crunchy harmonic modernism and the bumptious sounds of vintage American jazz styles.”
Iverson’s Playfair Sonatas similarly showcase this signature approach. The sonatas intertwine 21st-century jazz gestures with the formal structures of Beethoven, Mozart, and Haydn. While the outer movements are titled with traditional tempo indications (Allegro, Rondo, Scherzo, and similar), the middle movements of each work are dedicated to an artist whose work blended jazz and classical.
"These dedications came about late in the game," says Iverson. "I had scrapped a previous Adagio for clarinet, and wrote a new middle movement I really liked. However, was this ‘oom-pah' rhythm too much like one of Carla Bley's amusing ‘music hall’ pieces? Well, what if I dedicated the movement to her? That would fix the issue of appropriation. As it turned out, Carla passed away the same day I finished ‘Music Hall’ and devised the ‘dedications’ stratagem. The other five salutations to Ornette Coleman, Eric Dolphy, Paul Desmond, Joe Wilder, and Roswell Rudd came easily, for they had been in the back of my mind the whole time."
Piers Playfair adds, “It’s cool that out of a Covid dinner we were able to put a project together that so encapsulates one of our joint core beliefs, that the divisions that divide music, such as jazz, classical, blues etc, into neat little boxes are really just names that people put on them and shouldn’t define the artists."
“Ethan and Piers assembled an absolute dream team of soloists, each of who brought their A game to Oktaven Audio for two days of amazing and inspiring music-making,” says producer Gene Gaudette. “The recording sessions were spirited, crackling with energy, and seemed to fly by in the blink of an eye. The Playfair Sonatas are such terrific music – engaging, witty, and still fresh even after multiple hearings. They will no doubt find not only a wide listening audience via this recording but surely be embraced by players looking for new, challenging, genre-crossing repertoire.”
Read Ethan Iverson’s notes on each of the Playfair Sonatas, including the dedication movements, here.
Alongside the album, Iverson is publishing the scores for all of the Playfair Sonatas, making them available to interested musicians free of charge.
Playfair Sonatas are commissioned by Piers Playfair and 23Arts Initiative.
The album is released worldwide on Gene Gaudette’s Ulricht AudioVisual label.
About Ethan Iverson:
Pianist, composer, and writer Ethan Iverson was a founding member of The Bad Plus, a game-changing collective with Reid Anderson and David King. The New York Times called TBP “Better than anyone at melding the sensibilities of post-60’s jazz and indie rock.” During his 17-year tenure, TBP performed in venues as diverse as the Village Vanguard, Carnegie Hall, and Bonnaroo; collaborated with Joshua Redman, Bill Frisell, and the Mark Morris Dance Group; and created a faithful arrangement of Igor Stravinsky’s The Rite of Spring and a radical reinvention of Ornette Coleman’s Science Fiction.
Since leaving TBP, Iverson has released critically-acclaimed jazz albums on ECM and Blue Note, often accompanied by bonafide jazz stars such as Tom Harrell or Jack DeJohnette. Downbeat has called Iverson “A master of melody” while Hot House recently raved, "Known for his intellectual depth and adventurous musical spirit, Ethan Iverson has traversed the boundaries of jazz tradition while leaving an indelible mark on its evolution.” After witnessing a 2024 concert of standards spontaneously chosen by the audience, Stereophile wrote, “Iverson is a natural, consistent crowd-pleaser. For his entire career, he has been finding ways to be accessible while pushing the envelope.”
Iverson holds down the piano chair in the critically acclaimed Billy Hart quartet and has recorded with other elder statesmen like Albert “Tootie” Heath and Ron Carter. In terms of performing classical music, Iverson has accompanied Mark Padmore in Schubert’s Winterreise and Johnny Gandelsman in the three Brahms Violin Sonatas.
On top of his activities as a pianist and composer, Iverson has an active career as a writer, publishing significant criticism in The Nation, JazzTimes, The New York Times, and the Culture Desk of The New Yorker. He also posts frequently on his Substack, Transitional Technology.
For Calendar Editors:
Description: Pianist, composer, and writer Ethan Iverson performs music from his recently released album Playfair Sonatas (Urlicht AudioVisual) –– which The New York Times calls “a welcome stream of fully notated music” –– with violinist Miranda Cuckson and trumpeter Tim Leopold, plus his Sonata for Piano Four-Hands with pianist Hiroko Sasaki at Mezzrow, on Saturday, December 22, 2024 at 4pm. Admission is free.
Concert details:
Who: Ethan Iverson with Miranda Cuckson, Tim Leopold, and Hiroko Sasaki
Presented by Mezzrow
What: Selections from Ethan Iverson’s Playfair Sonatas, plus his Sonata for Piano Four-Hands
When: Sunday, December 22, 2024 at 4pm
Where: 163 West 10th Street, New York, NY 10014
Free Admission
About the Instrumentalists:
Miranda Cuckson, violin: www.mirandacuckson.com
Makoto Nakura, marimba: www.makotonakura.com
Carol McGonnell, clarinet: www.carolmcgonnell.com
Mike Lormand, trombone: www.deviantseptet.com/mike-lormand
Taimur Sullivan, saxophone: www.taimursullivan.com
Tim Leopold, trumpet: www.mostlymodernfestival.org/tim-leopold-trumpet
Album Track List:
Playfair Sonatas
Music by Ethan Iverson
Ethan Iverson, piano; Miranda Cuckson, violin; Makoto Nakura, marimba; Carol McGonnell, clarinet; Mike Lormand, trombone; Taimur Sullivan, saxophone; and Tim Leopold, trumpet
Ulricht AudioVisual | Release Date: November 15, 2024
CD 1
1. Fanfare [1:54]
The Full Ensemble
2. Violin Sonata: I. Andante – Allegro moderato [7:14]
3. Violin Sonata: II. Blues (for Ornette Coleman) [3:50]
4. Violin Sonata: III. Rondo. Allegro [5:25]
Miranda Cuckson, violin • Ethan Iverson, piano
5. Marimba Sonata: I. Allegro [5:13]
6. Marimba Sonata: II. Blues (for Eric Dolphy) [2:10]
7. Marimba Sonata: III. Cadenza [3:13]
8. Marimba Sonata: IV. Rondo. Presto [3:04]
Makoto Nakura, marimba • Ethan Iverson, piano
9. Clarinet Sonata: I. Allegro [5:22]
10. Clarinet Sonata: II. Music Hall (for Carla Bley) [3:06]
11. Clarinet Sonata: III. Scherzo – Minuet [2:25]
12. Clarinet Sonata: IV. Rondo. Allegro moderato [3:45]
Carol McGonnell, clarinet • Ethan Iverson, piano
CD 2
1 Trombone Sonata: I. Allegro moderato [4:32]
2 Trombone Sonata: II. Hymn (for Roswell Rudd) [4:14]
3 Trombone Sonata: III. Rondo [5:30]
Mike Lormand, trombone • Ethan Iverson, piano
4 Alto Saxophone Sonata: I. Allegro [5:44]
5 Alto Saxophone Sonata: II. Melody (for Paul Desmond) [5:16]
6 Alto Saxophone Sonata: III. Allegro [5:17]
Taimur Sullivan, alto saxophone • Ethan Iverson, piano
7 Trumpet Sonata: I. Allegro [5:56]
8 Trumpet Sonata: II. Theme (for Joe Wilder) [4:30]
9 Trumpet Sonata: III. Rondo [4:34]
Tim Leopold, trumpet • Ethan Iverson, piano
10 Recessional [1:16]
The Full Ensemble
Recorded December 2 & 3, 2023 at Oktaven Audio, Mount Vernon, NY
Recording engineer: Ryan Streber
Piano technician: Shane Hoshino
Edited by Ryan Streber and Gene Gaudette
Produced by Gene Gaudette
Executive producer: Piers Playfair
Cover art: Roz Chast