Emerald City Music Presents Inspired by Gamelan – Featuring the Washington State Debut of Gamelan Gita Asmara led by Artistic Director Putu Swaryandana Ichi Oka
Emerald City Music Presents Inspired by Gamelan
Featuring the Washington State Debut of Gamelan Gita Asmara
led by Artistic Director Putu Swaryandana Ichi Oka
Plus Percussionist Svet Stoyanov, Violinist Kristin Lee,
and Pianist Michael Stephen Brown
with Music by Steve Reich, Claude Debussy, and Lou Harrison
Violinist Kristin Lee, Artistic Director
Friday, December 15, 2023 at 8pm
415 Westlake
415 Westlake Avenue N | Seattle, WA
Tickets: www.emeraldcitymusic.org/season/inspired-by-gamelan
Saturday, December 16, 2023 at 7:30pm
Capital High School Performing Arts Center
2707 Conger Avenue NW | Olympia, WA
Tickets: www.emeraldcitymusic.org/season/inspired-by-gamelan-olympia
“[Artistic Director Kristin Lee] wants to show you, through Emerald City Music’s concert series, just how varied and innovative chamber music can be.”
– The Seattle Times
Seattle & Olympia, WA – On Friday, December 15, 2023 at 8pm in Seattle at 415 Westlake (415 Westlake Avenue N) and Saturday, December 16, 2023 at 7:30pm in Olympia at the Capital High School Performing Arts Center (2707 Conger Avenue NW), Emerald City Music (ECM) presents Inspired by Gamelan –– a concert program dedicated to Balinese gamelan, featuring Gamelan Gita Asmara, founded by Dr. Michael Tenzer and led by Artistic Director Putu Swaryandana Ichi Oka, in the ensemble’s Washington State debut. Violinist and ECM Artistic Director Kristin Lee, percussionist Svet Stoyanov, and pianist Michael Stephen Brown will also be returning to ECM as featured performers. The first half of the performance will feature Steve Reich’s Electric Counterpoint, III. Fast (1987), Claude Debussy’s Estampes For Solo Piano, L.100 (1903), and Varied Trio For Violin, Piano And Percussion by Lou Harrison (1987), followed by a 30 minute experience of the gamelan as the second half of the performance. The concerts are supported in part by the American-Indonesian Cultural & Educational Foundation.
Composers over the centuries found inspiration in folk music from around the world, and in the late 20th century, many composers found their influence in gamelan music from Indonesia. ECM presents an experience of the Balinese gamelan alongside three chamber music works that transform the indelible instrument into each composer’s own style and setting. Debussy paints with its harmonic color palette and common melodic shapes. Steve Reich lives within its rhythmic systems and poignant expression through repeated figures, while Lou Harrison captures its overall textures and tells an evocative story through the sense of gamelan’s coordinated interlocking parts. The concerts promise to transport audiences with the gamelan in both its urtext and re-textualization.
Of their upcoming Washington State performance debut, Gamelan Gita Asmara says:
“Gamelan Gita Asmara performs traditional and contemporary music of Bali, Indonesia, using a set of instruments called gamelan semaradana, imported from Bali. The group was founded in Vancouver in 1996 by Michael Tenzer, a Professor in the School of Music at UBC. It performs every year throughout British Columbia, and played an extensive tour of Bali in 2013. In these, our first concerts in Washington, we will present two early twentieth-century compositions by the celebrated composer Wayan Lotring, and premiere a new work, Sekar Ura, by our Artistic Director Putu Swaryandana Ichi Oka.”
For the performance at 415 Westlake, audiences can enjoy ECM’s flagship “date-night experience,” which combines vibrant classical performance with an open bar, and a “wander-around” concert setting with no stage dividing the audience from the musicians. The second performance of the program in Olympia will take place at the Capital High School Performing Arts Center.
Emerald City Music (ECM) is the Pacific Northwest home for eclectic, intimate, and vibrant classical chamber music experiences. Known for their casual environment combined with award winning artists, ECM has gained recognition from several high-profile publications like Seattle Times, The City Arts deemed ECM “the beacon for the casual-classical movement.” Unique to only ECM attendees are encouraged to wear casual clothes, enjoy the open bar and walk around in order to increase the satisfaction of each of the ECM concerts. The Seattle Times calls ECM’s programming “very different,” noting its “nontraditional atmosphere,” which often “doesn’t have a stage separating performers from the audience, and artists mingle with the audience during the intermission.”
This performance, and all of ECM’s Mainstage performances this season, will be recorded live and then made available on Emerald TV, ECM’s subscription-based streaming platform for performances and additional video content.
For more about the artists, visit: www.emeraldcitymusic.org/season-artists
About Kristin Lee, ECM Artistic Director:
Kristin Lee is a violinist of remarkable versatility and impeccable technique who enjoys a vibrant career as a soloist, chamber musician, educator, and artistic director. “Her technique is flawless, and she has a sense of melodic shaping that reflects an artistic maturity,” writes the St. Louis Post-Dispatch, and The Strad reports, “She seems entirely comfortable with stylistic diversity, which is one criterion that separates the run-of-the-mill instrumentalists from true artists.
As a soloist, Lee has appeared with leading orchestras including The Philadelphia Orchestra, St. Louis Symphony, St. Paul Chamber Orchestra, New Jersey Symphony, Hawai’i Symphony, Hong Kong Philharmonic, Ural Philharmonic of Russia, Korean Broadcasting Symphony, Guiyang Symphony Orchestra of China, and Orquesta Sinfonica Nacional of Dominican Republic. She has performed on the world’s finest concert stages, including Carnegie Hall, Avery Fisher Hall, the Kennedy Center, Kimmel Center, the Metropolitan Museum of Art, the Ravinia Festival, the Louvre Museum, the Phillips Collection, and Korea’s Kumho Art Gallery. An accomplished chamber musician, Kristin Lee became a member of the Chamber Music Society of Lincoln Center after winning The Bowers Program audition and completing the program's three-year residency. In addition to her prolific performance career, Lee is a devoted educator. She is on the faculty of the University of Cincinnati College-Conservatory of Music as an Assistant Professor of Violin. Lee is also the founding artistic director of Emerald City Music (ECM), a chamber music series that presents authentically unique concert experiences and bridges the divide between the highest caliber classical music and the many diverse communities of the Puget Sound region of Washington State.
Kristin Lee’s honors include an Avery Fisher Career Grant, top prizes in the Walter W. Naumburg Competition and the Astral Artists National Auditions, and awards from the Trondheim Chamber Music Competition, Trio di Trieste Premio International Competition, the SYLFF Fellowship, Dorothy DeLay Scholarship, the Aspen Music Festival’s Violin Competition, the New Jersey Young Artists’ Competition, and the Salon de Virtuosi Scholarship Foundation.
Born in Seoul, Lee moved to the United States and studied under prestigious teachers including Sonja Foster, Catherine Cho, Dorothy DeLay, Donald Weilerstein, and Itzhak Perlman. Lee holds a Master’s degree from The Juilliard School. Lee’s violin was crafted in Naples, Italy in 1759 by Gennaro Gagliano and is generously loaned to her by Paul & Linda Gridley. For more information, visit www.violinistkristinlee.com.
About ECM:
Emerald City Music (ECM) is the Pacific Northwest home for eclectic, intimate, and vibrant classical chamber music experiences. Deemed "the beacon for the casual-classical movement" (CityArts), ECM hosts world-renowned musicians in unique concert experiences. Founded in 2015, Emerald City Music produces and tours seven productions annually, with each tour visiting Seattle’s South Lake Union (415 Westlake, a chic contemporary venue with an open bar), Olympia’s Minnaert Center (a 495 seat modern concert hall), a once annual concert at the Bellingham Music Festival, and an annual concert in New York City.
ECM has gained recognition regionally and nationally as a major player in the chamber music scene. Artistic Director Kristin Lee –– a touring violinist awarded the Avery Fisher Career Grant and a member of the Chamber Music Society of Lincoln Center –– is regarded for her innovative programming that both honors the tradition of chamber music while expanding the genre’s boundary past common limits. Emerald City Music made a name for itself beginning in its second season with a national collaborative commission with Grammy-winning composer John Luther Adams, and has continued to press the boundary of chamber music with accolades like a tour of Steve Reich’s iconic and rare Music for 18 Musicians, a pitch-black performance of Georg Haas’s “In the Dark” quartet, and the West Coast debut of the Danish folk group The Dreamers’ Circus.
ECM values real, authentic connection and holds the belief that music possesses the innate power to connect people, inclusive of varying backgrounds and perspectives. Over eight years, artists from every corner of the globe have visited Emerald City Music to prove just that: there exists a special connection between artist and listener that only music can facilitate.
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