Clarice Jensen, composer and cellist
Photo by Steph Larsen
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MANAGEMENT & PR
Christina Jensen, christina@jensenartists.com
Gina Meola, gina@jensenartists.com
646.536.7864
“Jensen’s layered loops express the range of emotions that arise as death draws near, from the simple beauty of bookends ‘Daily’ and ‘Final’ to the humble awe of ‘Holy Mother.’ This collection of requiems for a dying mother ranks among the great ambient albums of the 21st century.”
“Meditative or disorienting? Turns out they’re one in the same here. That might not be such a bad thing, especially if Jensen’s new album shifts us out of our daily routines and into spaces unlike any we know.”
Clarice Jensen is a composer and cellist based in New York who graduated with a BM and MM from the Juilliard School. As a solo artist, Clarice has developed a distinctive compositional approach, improvising and layering her cello through shifting loops and a chain of electronic effects to open out and explore a series of rich, drone-based sound fields. Pulsing, visceral and full of color, her work is deeply immersive, marked by a wonderful sense of restraint and an almost hallucinatory clarity. Meditative yet with a sculptural sharpness and rigor that sets it apart from the swathe of New Age/DIY droners, she has forged a very elegant and precise vision.
Her music has been described by Self-Titled as “heavily processed, incredibly powerful neo-classical pieces that seem to come straight from another astral plane”; by Boomkat as “languorously void-touching ideas, scaling and sustaining a sublime tension”; whilst Bandcamp remarked upon “a kaleidoscope of pulsing movement rich in acoustic beating and charged with other psychoacoustic effects, constantly shifting in density and viscous timbre.”
Jensen’s striking debut album For This From That Will Be Filled was released in April 2018 on the Berlin-based label Miasmah and followed in September 2019 with the "Drone Studies" EP, a cassette release via Geographic North. Signing to FatCat’s 130701 imprint (Max Richter, Jóhann Jóhannsson, Hauschka, Dustin O’Halloran, etc.) in late summer 2019, her sophomore album The experience of repetition as death was released April 2020. Naming it among the top 50 albums of 2020, NPR remarked "This collection of requiems for a dying mother ranks among the great ambient albums of the 21st century." Her latest album Esthesis was released in October 2022 and NPR ranked it among the Best Experimental Albums of the Year. Boomkat stated, “Jensen finds a fine line between in-the-moment, tactile precision and lingering hallucinatory afterimages that emerge from her improv/compositional system. The pieces betray an exquisite depth of feeling in Jensen’s diffractive rendering of shimmering layers and gently transitory movements,” with Magnetic Magazine reporting, “There is no doubt this album will impact people profoundly.”
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Jensen recently scored three feature films - Amber Sealey's No Man of God premiered at the 2021 Tribeca Film Festival; Takeshi Fukunaga's Ainu Mosir, premiered at the 2020 Tribeca Film Festival; Fernanda Valadez's 2020 Sundance Film Festival award-winner Sin Señas Particulares (Identifying Features), for which Jensen was nominated for a 2021 Ariel Award for Best Original Music by the Mexican Academy of Cinematographic Arts and Sciences. She is currently at work on several new film and television projects, as well as her next album.
A versatile collaborator, Jensen has recorded and performed with a host of stellar artists including Jóhann Jóhannsson, Max Richter, Björk, Stars of the Lid, Dustin O’Halloran, Nico Muhly, Taylor Swift, Michael Stipe, The National and many others. In her role as the artistic director of ACME (the American Contemporary Music Ensemble), she has helped bring to life some of the most revered works of modern classical music, including pieces by Philip Glass, Steve Reich, Terry Riley, Gavin Bryars, and more. Jensen recently composed an evening-length work for ACME, The Exaltation of Inanna, for string quartet, guitar, and six singers. The piece is based on the writings of the first author known by name, Enheduanna (2300 BC), and was premiered at The Morgan Library and Museum in New York.
“languorously void-touching ideas, scaling and sustaining a sublime tension”
“heavily processed, incredibly powerful neo-classical pieces that seem to come straight from another astral plane”
PHOTOS
“The Zen clarity of her sound recalls masters like Phill Niblock, evoking universes by honing in on narrow ranges of frequency. But the way Jensen shifts her drones, building them gradually and then hard-cutting to completely new tones, feels singular.”
“Clarice Jensen’s unsettling electronic score commingles with the camera work to build a sense of achingly slow-burn tension. Abstract interstitial montages let off a bit of steam with a propulsive electro soundtrack, marking the passing of time with images of the menacing and the mundane.”
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